All posts by Sandra Graham

I am an artist and blogger living in Sydney, Australia. I am interested in Australian landscapes and lost suburbia, capturing them in photographs, paintings, prints and mixed media. @s_graham_art

Newtown Walk – Part 4

What makes Newtown very striking these days is the proliferation of street art.

Newtown Walk

It’s everywhere from the main to the back streets.

Newtown Walk

I like it a lot. As well as brightening the suburb up, it deters much of the vandals and gives Newtown’s substantial creative community much needed exposure.

Newtown Walk

Newtown Walk

Newtown Walk

It makes for an interesting walk, I think. Turn a corner, and you can come across touching tributes like this.

Newtown Walk

Newtown Walk

Newtown Walk

Newtown Walk – Part 3

Being an old suburb, it also has one of Sydney’s oldest cemeteries, Camperdown Cemetery, located behind St Stephens Anglican Church.

Newtown Walk

I find cemeteries fascinating places to walk through, and this one is the oasis of the inner west. I can indulge in my love of big moreton bay fig trees.

Newtown Walk

It’s no longer in use, but retains a very restful atmosphere. I think the plaque below is a reference to the many paupers buried here in unmarked graves.

Newtown Walk

However, I didn’t find the grave of Eliza Emily Donnithorne, whose story may or may not have inspired Charles Dickens.

2018 Art Projects – Part 6

Apologies for the blog break. Health issues have kept me offline, but I’m slowly getting back on my feet.

Finishing off my 2018 art projects series, we come to the nature inspired sculptures.

This is inspired by Christo, and is an household object(s).

Plant

This is inspired by the constructivism movement of the early 20th century and is a bull skull.

Skull

And this is a multi-media recreation of a cave (though no cave in particular).

Speleology

2018 Art Projects – Part 5

Previously, I had explored human forms through drawing, so I was very familiar with them by the time I revisited them in Sculpture later in the year.

Eye

All of these works are in clay. Observation was still the key to their creation, however working in 3-D presented an added challenge.

Nose

Still, there is something very primal and (dare I say it) grounding about working in clay. It was a very pleasurable experience, I must say.

Ears